Tahar Ben Jelloun's novels are distinguished by their integration of problematic social phenomena into a purely literary form. While this isn't unique to Ben Jelloun's writing style, the author's way of crafting thought-provoking and often revolutionary experimental stories from the material of traditional Moroccan life is, at least in a way extraordinary: his characters experience social difficulties and embarrassments in their lives through the metaphor of a fictional existence of their self-perception. Thus, for example, their search for identity in their social context manifests in their search for self-perception as fictional characters and power struggles in relationships. Their relationship takes the form of a battle for control of the story. Political prisoners associate writing with their quest for freedom. This article therefore focuses on the torture, body and voice representations of Taher Ben Jelloun's This Blinding Absence of Light (2002). Sigmund Freud's psychoanalytic theory will be used to approach the psychological disintegration of characters in the text following such a Dark Decade experience and will borrow eclectic concepts from interdisciplinary studies; Erving's concept of Goffman's "holistic institution", Elaine Scarry's comprehensive and detailed theoretical definition and analysis of torture, and Judith Herman's study of trauma.